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Reviews: Rebecca - breathlessly tense

Robert Beale
25/11/2005

THE road to Manderley (or "Mandalay", as most of last night's cast said it) could never be presented on stage, of course.

That last-page drive, ending with just a glow in the distance and the smell of ash, is replaced by flames and smoke in the play seen at The Lowry.

It symbolises the spirit of Frank McGuinness's adaptation: subtlety and atmosphere are not its strengths, vital though they are in Daphne du Maurier's novel.

There's not much of Cornwall in the staging, directed by Patrick Mason (design by Robert Jones), except for film of genuine Fowey breakers at the start, though Conor Linehan's music tries to compensate.

As a thriller, though, it maintains its tension almost breathlessly.

It has some convincing performances.

Nigel Havers is brooding Max (though prone to unexpectedly petulant rage).

Amanda Waldy is jolly, warm-hearted Beatrice and John Nicholas is faithful retainer Frith.

Elisabeth Dermot-Walsh (the second Mrs De Winter) catches the two extremes of her character, though the switch comes abruptly.

I found Maureen Beattie's Mrs Danvers too close to Mrs Thatcher to be frightening, though.

And it's a pity cast doubling changed Dr Baker into a woman.

Rebecca is on at The Lowry until Saturday.


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